Objetivando dar uma noção prática do trabalho da agência, buscamos um caso que tenha sido coberto por ela e que tenha tido algum destaque. Por meio de entrevistas e um longo acompanhamento do site AFROPRESS.COM.BR tivemos noticia do caso Januário, vigia espancado, suspeito de roubar o próprio carro. Essa foi a reportagem que mais repercutiu e tornou conhecida a Afropress. Esse será o caso que abordaremos para nos auxiliar na compreensão do trabalho da Afropress.]]> ]]>
]]>
]]>
]]> Judiciário
Distrito Federal

]]>
]]> ]]> ]]> ]]> ]]> | The article Communication beauty in social media the new technologies as a tool for organizational communication analyzes the use of so-called social media in communication management of companies in the cosmetics and beauty market of the country. In the new context of communication in times of Web 2.0, the work examines how these new technologies of communication are appropriated by organizations to disseminate products and to institutionalize concepts and values. Through the article, was intended to make a brief scientific analysis of how companies Natura and Avon Brazil, two of the largest cosmetic companies in the country, have been using social media. Through work, we tried to demonstrate peculiarities of the beauty communication and how digital technologies are used to upgrade companies. management.]]> ]]> ]]> ]]> ]]> ]]> dc.description.abstract: A chegada de um computador com acesso à internet seja aonde for leva com eles mudanças de comportamento. Quando falamos da chegada desta tecnologia em uma propriedade rural, de agricultores familiares, que geralmente moram em locais de difícil acesso e que a conexão chega relativamente depois dos grandes centros urbanos, essas mudanças acontecem cada uma a sua forma. Por se tratar do acesso à comunicação e da comunicação produzida por eles, a folkcomunicação e os conceitos ligados a ela serão utilizados, tentando entender este novo posicionamento do cotidiano rural frente a um novo acesso. Para isso, foram feitas entrevistas na cidade de Joaçaba, meio oeste de Santa Catarina, e outras seis cidades que fazem limite territorial com ela. Esta região foi escolhida porque a agricultura familiar é muito presente por motivos geográficos e históricos. | The arrival of a computer with internet access where ever it takes for them to change. behavior. When we speak of the arrival of this technology in a rural property, family farmers, who generally live in remote places and the connection comes on after the great urban centers, each of these changes come your way. Because it's access to communication and communication produced by them, folk communication and the concepts connected to it will be used, trying to understand this new position everyday rural front of a new access. To this end, interviews were conducted in the city of Joaçaba, half west of Santa Catarina, and six other cities that border territory with her. This region was chosen because the family farm is very present for reasons of geography and history.]]> ]]> ]]> ]]> ]]> ]]> ]]> ]]> | Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.
]]> ]]> dc.rights:
]]> ]]> ]]> ]]> ]]> ]]> Os deficientes visuais, com advento da tecnologia. estão buscando cada vez mais o seu desenvolvimento educacional e profissional, inserindo-se, deste modo, no mercado de trabalho. Assim, coma um segmento a ser atingido pela publicidade, quando da exibição de peças publicitarias na televisão, os deficientes visuais não obtém as informações necessárias para a compra do produto ou adesão a alguma idéia por ela anunciada, dependendo de métodos, estéticas e linguagens escolhidas. Existe neste caso uma falha na comunicação a ser identificada, analisada e corrigida.]]> ]]> O trabalho conta ainda com reflexões sobre a cultura do branding, o consumismo, 0 marketing musical e a criação de personagens e roteiros para sitcoms.]]> ]]> Com a presente memória de produto. pretende-se então, tornar disponível para consulta, os conhecimentos adquiridos durante todas as etapas, desde as motivações pessoais, fundamentação teórica, materiais utilizados. produção fotográfica, até a produção do produto, entre curiosidades, surpresas e obstáculos.
Para isso, será necessário estudar os primórdios da fotografia, com ênfase no período que vai desde sua invenção, passando pela fotografia pictorialista e transição para fotografia moderna, assim como o estudo da história do suporte livro, tendo como objetivos, resgatar personagens, conhecimentos e tecnologias, para então aplicá-las com uma abordagem contemporânea e criativa, buscando assim, agregar valores estéticos ao produto.
Durante o desenvolvimento do produto, estaremos sob a luz dos conceitos de efeitos pictóricos, pictorialismo, processos históricos fotográficos, fotografia artistica, produção gráfica editorial, livro de artista e reprodutibilidade técnica. | This work consists in recording the development stages of the book. Random Effects Pictorial Photographs of Brasilia and Pirenópolis in two trials casual. What was intended, for the product was, from personal motives, to experience, first, how would the interaction between historical photographic processes and support book, and secondly, the visual experience provided by photographs of cities of Brasilia-DF and Pirenópolis-GO and produced in accordance with these procedures.
With this "memory products," we intend to then make available for consultation, the knowledge acquired during all stages, from personal motivation, theoretical, materials, photographic production, to production of the product, among curio surprises and obstacles.
This will be necessary to study the beginnings of photography with emphasis in the period since its invention, through photography pictorialist and transition to modern photography, as well as studying the history of the book support, aiming to, redeem the characters, knowledge and technologies to apply them with a contemporary and creative approach, trying, adding aesthetic value to the product During product development, we will be under the light of the concepts of pictorial effects, pictorialism, historical photographic processes, artistic photography. print production publishing, book artist and reproducibility.]]> ]]> ]]> ]]> ]]> ]]> ]]>