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Para estudar como as celebridades são vistas pela população, foram aplicados questionários em cem pessoas segmentadas de acordo com os seguintes niveis de escolaridade: Ensino Fundamental, Ensino Médio, Ensino Superior e Pós-graduação Mestrado/Doutorado. Por meio da análise dos dados obtidos pode-se perceber a influência da midia sobre a população, principalmente sobre os menos escolarizados, na formação e manutenção das celebridades midiáticas. | This work aims to establish a relationship between the media influence and the different levels of schooling. To illustrate this influence, celebrities and what people think about them were used. In order to study whether there is a critical view of media influence in the creation of celebrities, they were divided between celebrities with talent and "media celebrities". Authors such as Pierre Bourdieu, Jesús Martin-Barbero, Roger Silverstone and Teun van Dijk were used to ground this analysis.

To study how the celebrities are seen by the population, questionnaires were applied in one hundred people, who were segmented according to the following levels of education: Elementary Education, Secondary Education, Higher Education and Post Graduate Masters PhD. Through data analysis, it was possible to observe the media's influence on the population, mainly on the less educated, in the formation and maintenance of "media celebrities".]]> ]]> projeto experimental dos alunos Daniella Fontana, Paloma Oliveto e
Felipe Campbell.]]> A Oficina de Criação Publicitária para Crianças é uma pesquisa que se utiliza da prática. Sua fórmula é simples e seus resultados imediatos. Nela há dois objetivos: conhecer as crianças como consumidores e, como trabalho de criação, principalmente se aliado ao Método Natural, ajudar no ensino da Literatura e Artes.]]> ]]> ]]> ]]> Crônica
Mídia radio difusora
Cultura brasileira]]>
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]]> | Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.
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GURAN, Milton - Linguagem Fotográfica e Informação - Rio de Janeiro, Rio Fundo, 1992.

LIMA, Ivan - A Fotografia É a Sua Linguagem - Rio de Janeiro, Espaço & Tempo, 1988.

LIMA, Ivan - Fotojornalismo Brasileiro : realidade e linguagem - Rio de Janeiro, Fotografia Brasileira, 1989.

Berger, Jonh - Modos de Ver - São Paulo, Martins Fontes, 1987.

PAIVA, Joaquim - Olhares Refletidos: diálogo com 25 fotográfos brasileiros _ Rio de Janeiro, Dazibao, 1989.

PEREGRINO, Nadja - O Cruzeiro: a revolução na fotoreportagem - Rio de Janeiro, Dazibao, 1989.

KOSLOFF, Max - A Subjetividade: a fotografia e suas multiplás leituras. Feito na America Latina - Rio de Janeiro, FUNARTE, 1987, pg. 31 a 53.

JUNGES, Maria Dania - À Procura da Identidade. Ecologia e Desenvolvimento - Ano I, número 11, pg. 49 a 51.

CUNHA, Manuela Carneiro da - História Kampa, memória Ashininka. História dos Índios do Brasil - São Paulo, FAPESP, CIA das Letras, 1992, pg. 197 a 212.

]]> ]]> Com a presente memória de produto. pretende-se então, tornar disponível para consulta, os conhecimentos adquiridos durante todas as etapas, desde as motivações pessoais, fundamentação teórica, materiais utilizados. produção fotográfica, até a produção do produto, entre curiosidades, surpresas e obstáculos.
Para isso, será necessário estudar os primórdios da fotografia, com ênfase no período que vai desde sua invenção, passando pela fotografia pictorialista e transição para fotografia moderna, assim como o estudo da história do suporte livro, tendo como objetivos, resgatar personagens, conhecimentos e tecnologias, para então aplicá-las com uma abordagem contemporânea e criativa, buscando assim, agregar valores estéticos ao produto.
Durante o desenvolvimento do produto, estaremos sob a luz dos conceitos de efeitos pictóricos, pictorialismo, processos históricos fotográficos, fotografia artistica, produção gráfica editorial, livro de artista e reprodutibilidade técnica. | This work consists in recording the development stages of the book. Random Effects Pictorial Photographs of Brasilia and Pirenópolis in two trials casual. What was intended, for the product was, from personal motives, to experience, first, how would the interaction between historical photographic processes and support book, and secondly, the visual experience provided by photographs of cities of Brasilia-DF and Pirenópolis-GO and produced in accordance with these procedures.
With this "memory products," we intend to then make available for consultation, the knowledge acquired during all stages, from personal motivation, theoretical, materials, photographic production, to production of the product, among curio surprises and obstacles.
This will be necessary to study the beginnings of photography with emphasis in the period since its invention, through photography pictorialist and transition to modern photography, as well as studying the history of the book support, aiming to, redeem the characters, knowledge and technologies to apply them with a contemporary and creative approach, trying, adding aesthetic value to the product During product development, we will be under the light of the concepts of pictorial effects, pictorialism, historical photographic processes, artistic photography. print production publishing, book artist and reproducibility.]]> ]]> experimental do curso de Jornalismo da Faculdade de Comunicação da
Universidade de Brasília. O programa tenta fazer o resgate da história e das
histórias da música popular brasileira, homenagear autores e interpretes, e
desenvolver temas ligados ao universo do samba.]]>