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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jornalismo</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Na habilitação Jornalismo, do curso de Comunicação da UnB, os alunos são estimulados a trabalhar com diferentes mídias e a pensar como elaborar produtos de comunicação para diversos suportes tecnológicos, a fim de integrar-se de forma competitiva ao mercado de trabalho.Além das disciplinas comuns às demais habilitações da Comunicação, a partir do segundo semestre os alunos de Jornalismo começam a trabalhar conteúdos específicos. Por meio de disciplinas como Introdução ao Jornalismo e Introdução à Fotografia, acumulam conhecimentos que, gradativamente, nos semestres posteriores, vão sendo ampliados nas aulas sobre técnicas de jornalismo e fotojornalismo, planejamento gráfico e a redação e edição de notícias em mídias diversas, como internet, jornais, revistas, rádio e televisão.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Faculdade de Comunicação</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Centro de Documentação</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1989-2015</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Universidade de Brasília</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Acesso restrito</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>PDF</text>
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                <text>Português Brasil</text>
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          <name>Abstract</name>
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              <text>Este trabalho tem por objetivo analisar e compreender os elementos que nos fazem inferir uma inversão dos núcleos dramáticos principais na telenovela Duas Caras (2007/2008), de Aguinaldo Silva, tendo em vista a proposta tradicional das telenovelas de horário nobre de colocar em primeiro plano ações de personagens ricas. Para esta tarefa, partimos de um contexto de produção audiovisual brasileiro e do sucesso da periferia nos produtos culturais até o momento da produção da telenovela, além do histórico das telenovelas desde 1990 e suas propostas de representação daquele espaço à margem da sociedade. Ainda na tentativa de identificar esta inversão, usamos os conceitos de semiosfera e fronteira, configurados por I. Lotman, e o modelo actancial pensado por J. Greimas para entendermos como se dão as relações entre as personagens da trama e seus núcleos dramáticos. Renato Ortiz ajuda a compreender o histórico da telenovela na América Latina Autores como Monika Walter, Hermann Herlinghaus, J. Martin-Barbero e Eliseo Colón entram na pesquisa para abarcar os conceitos de melodrama e do melodramático no sentido de conhecermos as características profundas das telenovelas atuais. Também tomamos conceitos de Norbert Elias e John L. Scotson que nos colocam as noções de estabelecidos e outsiders e Erving Goffman o conceito de estigmatizados para percebermos outras marcas interessantes desta telenovela.
 |  Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.Having in mind the traditional propositions of the Brazilian soap operas on prime time tv in which it is common putting the rich characters actions in a first place; it is the objective of this article to analyze and understand the elements that make us presume an inversion on the principal dramatic groups in Aguinaldo Silva's soap opera "Duas Caras" (2007/2008). To this effort, we start from the success of the periphery in a audiovisual context and in the general Brazilian cultural production until the showing up of this Brazilian soap opera, along the Brazilian soap operas history since 1990 and their representations of the marginal society. Still in this essay in order to identify this inversion, we use the concept of semiosphere and frontier, formed by I. Lotman, and the actantial model thoughts by J. Greimas, to make us understand how this relation between the characters of this narration and their dramatic groups. Renato Ortiz help us understand the history of the soap operas in Latin America. Authors like Monika Walter, Hermann Herlinghaus, J. Martin-Barbero and Eliseo Colón get inside this research project to enclose the notions of melodrama and melodramatic, in order to be able to recognize the most deep characteristics of the present soap operas. Furthermore, we get the concepts of the established and outsiders thoughts by Norbert Elias and John L. Scotson, and by Erving Goffman the concept of stigmatized to make us aware about other interesting marks of this Brazilian soap opera in this research.
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          <name>Date Available</name>
          <description>Date (often a range) that the resource became or will become available.</description>
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            <elementText elementTextId="1217">
              <text>30.10.2023</text>
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          <name>Date Submitted</name>
          <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <text>2011-??-??</text>
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          <name>Date Issued</name>
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            <elementText elementTextId="1219">
              <text>45229</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Duas Caras: análise da proposta de inversão de núcleos dramáticos principais em uma telenovela da Rede Globo</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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            <elementText elementTextId="1221">
              <text>Comunicação | Telenovela | Narrativa | Núcleos dramáticos | Periferia</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Monografia (graduação)—Universidade de Brasília, Faculdade de Ciência da Informação, Curso de Graduação em Comunicação Social com habilitação em Jornalismo, 2011</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Paiva, Ana Paula
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          <description>An entity responsible for making contributions to the resource</description>
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              <text>Duarte, Pedro Russi</text>
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          <description>Information about rights held in and over the resource</description>
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              <text>is research.
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>Português</text>
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          <description>The nature or genre of the resource</description>
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              <text>Trabalho de Conclusão de Curso - Graduação - Bacharelado
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